Pneumatic despatch was an experiment I did back around 2017, when I wanted to test out the quality of the print-on-demand services that I had available. It was supposed to be sort of a mail art thing, but I shelved it before sending it out to anybody, because I didn't like the way the magazine felt in the hand. I respect the opinion of my cutaneous sensory system, and the paper of the cover was clearly too waxy to the touch.

I took the title of the magazine from my favorite mail carrying system, often used for delivery of small parcels and internal written communications in bigger institutional buildings. There was even a company — London Pneumatic Despatch Company — whose vision was to design, build and operate an underground railway system for the carrying of mail, parcels and light freight between locations in London. They were up and running for a few years in the second part of the 1800’s. I also remember seeing a pneumatic tube system in operation at my local university library some time back in the early 1990’s.

Maybe you ask yourself: “is it spelled despatch, though …?” And you may be justified in doing so. Because in American English it’s dispatch. But in British English, it’s despatch. And I suppose I wanted to make sure I didn’t give the Queen a reason to raise an eyebrow when she got her copy of my mail art magazine delivered to enjoy with her afternoon tea.

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The cover of Pneumatic Despatch. Did I use the same font for my Refilstigr logotype? If not the same, then certainly something very similar…Design and photo of design by Martin Høyem
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I used a photo I took in the bus station in Quito, Ecuador, some years back. And I used a snippet from Ramón Chao’s The Train of Ice and Fire: Mano Negra in Colombia. This text is too long for me to incorporate into the format of Refilstigr. (If you view this page on a smartphone, you are probably seeing a cropped version of the photo above, and you will not see the facsimile of the text I refer to. You can see an uncropped version of the photo here. ) Layout, photo of layout, and photo in layout by Martin Høyem
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This annotated chess game is lifted from chapter 11 of Samuel Becket’s Murphy (1938). I took some typographical liberties to fit Becket’s text into my format. Layout and photo of layout by Martin Høyem
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The image of the mask and the comic book strips is a digital interpolation I created, using a page from one of my favorite silly comic books — Enrique Badía Romero’s Axa — and a photo I took of a mask in Museo Pumapungo in Cuenca, Ecuador. For the sake of testing things out I juxtaposed that image with a photo I found of Jerry Lee Lewis performing (I think maybe it’s taken at Wembley Stadium in London in 1981). Layout and photo of layout by Martin Høyem