To create the color called carmine, one can boil the powdered bodies of cochineal — Dactylopius coccus — in an ammonia or sodium carbonate solution.

For his version of carmine, the paint maker Johann Jacob Diesbach (1670 – 1748) used a formula which called for potash and ferric sulfate. One time, when he set out to make a new batch, he borrowed some potash from his colleague. But unbeknownst to Diesbach, his colleague’s potash was tainted with animal blood. The blood, the potash, and the ferric sulfate reacted, and the result was that the red color Diesbach was aiming for instead turned out a brilliant blue: he had by accident invented what we nowadays call Prussian blue.

There has been synthetic colors in existence during earlier time periods. For example there was Egyptian blue, which is considered to be the first synthetic pigment. Egyptian blue was known for thousands of years but fell out of use some time after the Roman era, and consequently the knowledge of how to make it was also lost. This is why Prussian blue is called the first modern synthetic color.

Here’s a thing you can do with Prussian blue: Fern cyanotypes

And here’s another thing: Hooker’s green

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You could go from this …
Cochineal — Dactylopius coccus — is a scale insect that lives on Opuntia cacti. You can’t really see the insect itself on this photo, because they secrete a waxy white substance over their bodies, so you only see the white waxy thing. But under that white waxy thing is the insect. Photo: Martin Høyem
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Through this …
Grinding dried cochineal. The cochineals that live in our neighborhood are too small and really hard to collect. The dried cochineals we are grinding in the photo are (I don’t remember, but probably) from Peru or Chile. Photo: Martin Høyem
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… and eventually end up with this
Add some potash tainted with blood and ferric sulfate (like Johann Jacob Diesbach did) and you’ll have yourself some Prussian blue. Hokusai’s used a lot of Prussian blue in his The Great Wave off Kanagawa (神奈川沖浪裏). Photo: Martin Høyem

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